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A aggregation involving advisers from the Spanish National Analysis Council has analyzed, for the aboriginal time, two cavern abstracts of bedrock shelters amid in the archaeological ensemble of Minateda, in Hellín (Albacete). They accept adapted styles and are afar by several millenniums in time. The after-effects appearance that the agreement of the painting in Prehistory did not change in bags of years and that there were no cultural or ritual connotations in its making.

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The aboriginal of the analyzed figures, depicting a bovid, belongs to the Levantine art accomplished by the drifting hunters-gatherers who inhabited the Iberian Peninsula about 10,000 years ago. On the added hand, the additional figure, depicting a quadruped, has a schematic style, developed by the aboriginal producers, farmers and stockbreeders who lived in the breadth amid 6,500 and 3,500 years ago. The aboriginal appearance is characterized by the accuracy of its shapes and scenes, while the additional outlines its reasons, sometimes alike extensive abstraction.

The artists acclimated adamant oxides and terrigenous as pigments. These abstracts are calmly begin in the ambiance of the analyzed shelters: the Abrigo Grande de Minateda, the best emblematic to ascertain the agent and change of bedrock art in the Mediterranean Basin of the Iberian Peninsula, and the Abrigo del Barranco de la Mortaja.

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Alberto Jorge, CSIC researcher at the National Museum of Natural Sciences, states: “The compositions of the pigments acclimated in both styles, afar by several millenniums in time, are identical, which agency that the artists did not about-face to intentioned recipes as it was ahead thought. The accuracy is that it is an abounding and good-quality pigmenting actual that was accessible to acquisition nearby”.

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New interpretations

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Another cessation of the assignment has implications in the analysis alignment of the pigments of bedrock art outdoors. The attendance of calcium oxalate would prove that colorant and carrier alloyed with the alien band over the centuries. Jorge explains: “This aftereffect would catechism the studies conducted so far, based on appropriate three stratigraphic layers – surface, colorant and patina-, as these are continuously alloyed and altered, which introduces a bright accidental agency in the dating”. Advisers accept additionally detected the attendance of assertive blubbery acids, which would advance that back pigments were processed, activated or stored, could appear into acquaintance with beastly skins.

CSIC researcher adds: “From now on, we charge to be actual alert back we allocution about rituals in the alertness of pigments, as these interpretations came up back substances such as calcium phosphates, interpreted as broiled and ashamed bones, were begin in the pigments. These extrapolations are not actual back we additionally begin these substances in the bouldered substrate itself”.

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Explore further: Iberian paintings are Europe’s oldest cavern art, uranium-series dating abstraction confirms

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More information: Mas, Martí, Jorge, Alberto, Gavilán, Beatriz, Solís, Mónica, Parra, Enrique, Pérez, Pedro-Pablo. Minateda bedrock shelters (Albacete) and post-palaeolithic art of the Mediterranean Basin in Spain: pigments, surfaces and patinas. Journal of Archaeological Science. 2013. 40: 4635-4647.

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Journal reference: Journal of Archaeological Science

Provided by: Spanish National Analysis Council

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