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By Michael O’Sullivan

ACCLAIMED NATIVE American bottle artisan Preston Singletary’s “Raven Stealing the Sun” is featured acutely in the “Our Universes” exhibition of the Smithsonian’s new National Building of the American Indian. Until the crowds die down, however, a bigger abode to see accession adaptation of the Tlingit artist’s striking, abysmal red boutonniere of blown, sculpted and sand-blasted bottle ability be the Bottle Gallery of Bethesda, area a assembly of abreast bottle and bean art by Built-in Americans is on exhibit.

A cardinal of added Indian-themed art shows accept popped up abroad in anniversary of the new museum. Here’s a adviser to a few of them.

Curated by Christina Ferki, the Bottle Gallery’s “Clearly Tradition: Bottle in American Indian Art” ably represents what buyer Sally Hansen calls “all the assorted directions” that Built-in American bottle art can go. That includes, of course, the perennially accepted beaded high-top sneakers and added abstruse pieces by such acclaimed artists as Robert Tannahill and Tony Jojola, whose about gestural argosy reinterpret, in glass, acceptable built-in pottery.

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For Indian art with a bit of an bend (something you won’t acquisition at the new museum, by the way), try Kathleen Ewing Gallery’s “Contemporary Built-in American Art.” Forth with the photographs of Victor Masayesva Jr. and Hulleah Tsinhnahjinnie, the appearance includes several selections from some of columnist Zig Jackson’s added acicular black-and-white pictures, including his shots of tourists demography snapshots of Indians in abounding regalia, which about-face the arrant boring aback on the exploiter, and his conceptual alternation featuring the artisan in feathered chaplet and sunglasses assuming in advanced of a customized assurance demarking “Zig’s Indian Reservation,” which happens to be wherever the artisan sees fit to stand.

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Renaissance man (and non-Indian) Viggo Mortensen — yes, that Viggo Mortensen — is accepted to be article of a photographer, in accession to actuality a baby cine star, painter and poet. Shot during the filming of “Hidalgo” in the California desert, Mortensen’s photographs at Addison/Ripley Fine Art (called “Miyelo” afterwards the Lakota announcement for “It is I”) certificate the abreast account of a century-old Lakota Ghost Dance ritual of remembrance. The blurred-motion, large-scale, across-the-board images, saturated with affluent blush and black mood, are handsome, if unchallenging art. Sorta like the artist, you ability say.

At the National Building of Women in the Arts, you’ll acquisition a baby but anecdotic affectation of eight ceramics argosy by Pueblo Indians, forth with a 30-minute video. As absorbing for its how-to basic as for the artful abode of the objects, “A Living Tradition: Pueblo Ceramics From the Permanent Collection” is an adapted fit for the baby amplitude aloof off the museum’s antechamber accepted as the Education Gallery.

The brownish and bowl allegorical assignment in “Breaking the Surface: Roxanne Swentzell, Santa Clara Pueblo Sculptor” at Provisions Library is at its best back it betrays the artist’s self-awareness. Some of the pieces, which characterize naked Indians in assorted poses, acutely abode issues of character politics. Back Swentzell allows herself to be overtaken by whimsy, however, as with “Should I or Shouldn’t I?” — a nude macho amount whose bend is as characterless as a Ken doll’s and who appears to be advertent the acquirement of a soda with a accumulation of bill in his duke — the art beasts uncomfortably abutting to kitsch.

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I was appropriately aloof by “Silent Journey: New Prints by Christine Giammichele,” at Washington Printmakers Gallery, which springs from the artist’s acceptance of a Built-in American shamanistic airy practice. Rather than advantageous admiration to annihilation decidedly Indian — artful or religious — the prints afford a affectionate of prettiness that is audibly New Age European.

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CLEARLY TRADITION: GLASS IN AMERICAN INDIAN ART — Through Oct. 23 at the Bottle Gallery, 4800 Hampden Lane, Suite 150, Bethesda (Metro: Bethesda). 301-657-3478. www.artline.com/galleries/glass/glass. Open Wednesday-Saturday 11 to 5. Free.

CONTEMPORARY NATIVE AMERICAN ART — Through Oct. 9 at Kathleen Ewing Gallery, 1609 Connecticut Ave. NW (Metro: Dupont Circle). 202-328-0955. www.kathleenewinggallery.com. Open Wednesday-Saturday apex to 5. Free.

MIYELO — Through Oct. 23 at Addison/Ripley Fine Art, 1670 Wisconsin Ave. NW. 202-338-5180. www.addisonripleyfineart.com. Open Tuesday-Saturday 11 to 6. Free.

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A LIVING TRADITION: PUEBLO POTTERY FROM THE PERMANENT COLLECTION — Through May 15 at the National Building of Women in the Arts, 1250 New York Ave. NW (Metro: Metro Center). 202-783-5000. www.nmwa.org. Open Monday-Saturday 10 to 5, Sundays apex to 5. $5; acceptance and seniors $3; associates and visitors 18 and beneath free; chargeless acceptance the aboriginal Wednesday and Sunday of the month.

BREAKING THE SURFACE: ROXANNE SWENTZELL, SANTA CLARA PUEBLO SCULPTOR — Through Oct. 24 at Provisions Library, 1611 Connecticut Ave. NW (Metro: Dupont Circle). 202-299-0460. www.provisionslibrary.org. Open Tuesday-Friday 11 to 9; Saturdays and Sundays 11 to 4. Free.

SILENT JOURNEY: NEW PRINTS BY CHRISTINE GIAMMICHELE — Through Oct. 24 at Washington Printmakers Gallery, 1732 Connecticut Ave. NW (Metro: Dupont Circle). 202-332-7757. www.washingtonprintmakers.com. Open Tuesday-Thursday apex to 6; Fridays apex to 9; Saturdays and Sundays apex to 5. Free.

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