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“Peony” by Christine (Yia-Shun) Yen

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Korean calligraphy | Loving Korean | Boyfriend in Korea – ink and brush techniques | ink and brush techniques

Courtesy of the University of Michigan Health System

For those who can’t get to bounce anon enough, Christine (Yia-Shun) Yen’s affectation “The Spirit of Chinese Brush” at the University of Michigan Health System will balmy you in the meantime.

Yen, a medical analyst at the U-M Hospital, and an adviser of Chinese painting and calligraphy at Washtenaw Community College, has crafted a 20-work Gifts of Art affectation that credibility anon at this abundant time of the agenda through its use of acceptable Chinese inks and blush inks on rice paper.

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This ink-on-rice-paper address has been acclimated in Far Eastern art for two millennia. It requires amazing patience, as the artist’s antecedent access requires an undercharged ink abject supplemented with anxiously activated beginning pigment.

Loosely speaking, it’s affiliated to a painting a fingerprint, because the artist’s acrylic achievement crafts a faculty of appearance on a average that’s so delicate, the aboriginal aberration will mar the work.

“Almost anyone can apprentice the technique,” says Yen in her UMHS Gifts of Art statement, “but a acknowledged artisan charge apprentice to analyze with the activity about the accountable and to alteration that to the paper.”

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And this is absolutely the motive abaft “The Spirit of the Chinese Brush.” Yen illustrates differing approaches to her bound capacity through her affect and expertise. Alive from a belted iconography — chicks; beginning and blooming flowers; fans; and landscapes — she finds an great versatility that’s absolutely amazing.

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Her bird and annual paintings tacitly chase the celebrated scholar-artist appearance of Chinese painting to allegorize airy renewal. But in Yen’s hands, the emphasis is not alone on face-lifting as such; but additionally a specific renewal: namely, the face-lifting of the calendar, because ultimately the affiance of bounce is the focus of her exhibit.

This affiance is accomplished in her four floral arrangements.

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Yen’s “Snow Drop” fan and “Song of Spring” banty and beginning annual composition—as able-bodied as “Before Night Flower’s Bud of Queen of the Night” and “Wisteria” paintings—illustrate a faculty of apprehension assuming the change of seasons through the use of cardinal band and touch. There’s no abounding motion in these handsome floral artworks.

Flowers are the ascendant affair in Yen’s display. And these works—“Roses,” “Peony,” “Bamboo,” Chrysanthemum,” “Eastern Orchid,” “Plum Blossom,” “Forsythia,” “Purple Morning Glory,” and “Orchid”—all draw their afflatus from her cursory appliance of wash. The works acutely coast over their alive apparent with aloof abundant different analogue to accord anniversary assignment a personality.

Ultimately, Yen’s colossal “Chicks and Morning Glory” painting illustrates her assignment at its best activated and optimistic. One unified agreement has both antithesis and calibration as Yen’s acrylic achievement is aerial abundant to arm-twist the division while the breed themselves advance blithesome new life. Deftly modulating her inks to accord anniversary bird a adumbration of character, Yen’s curl manifests itself best blithely in the flower’s dejected and violet ink combination. Spring’s abeyant has never seemed added adorable or serene.

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“The Spirit of Chinese Brush: Christine (Yia-Shun) Yen” continues through February 7 at the University of Michigan Health System Gifts of Art Gallery—University Hospital Main Corridor, Floor 2, 1500 East Medical Center Drive. Gallery hours are 8 a.m. to 8 p.m., daily. For information, alarm (734) 936-ARTS.

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