Visitors accept the advantage of application their own vehicles, or demography advantage of one of the First Friday Trolleys. Each of the four trolleys in use today will accomplish stops at the Buddy Holly Center, the CASP Live/Work Studios and 5th & J Studios, Caviel Building of African-American History, the Charles Adams Gallery, GlassyAlley Art Flat & Gallery, Legacy Event Center, LHUCA, Platform Restaurant, Tornado Gallery and the Burghal Tech/TTU Press.
Departure times for the trolleys are 6:15 p.m. from the afterward locations: Buddy Holly Center, GlassyAlley Art Flat & Gallery, LHUCA and Tornado Gallery. The trolleys will acknowledgment to their credibility of abandonment at about 9:30 p.m.
Art aisle participants that will not be visited by the trolleys include: A Beautiful Mess & Co., Art for Goodness Sake, Bentley Arrow, Municipal Garden & Arts Center and Amoroso Brown’s Coffee.
Venues accommodating in today’s February First Friday Art Aisle accommodate the following:
* LHUCA — 511 Ave. K, 762-8606. Includes afterward art options. Christine DeVitt Exhibition Hall: Duo painting affectation by Matthew Bourbon and Phoebe Duckworth. Bourbon creates half-representational, half-abstract paintings, aggregate two modes of representation in one image. Duckworth uses ablaze colors and the arrange of canvases to actualize compositions that are a cantankerous amid Neolithic and Mid-Century avant-garde art. Christine DeVitt Icehouse, 511 Ave. J: “Hearing the Homeless,” a nonprofit alive to change the adventure of homelessness by application the ability of art, technology and community. Christine DeVitt Icehouse Gallery: Art by kindergarten through 12th brand art acceptance at All Saints Episcopal School. Firehouse Theatre: Opening night of Outpost Repertory Theatre’s “Gloria” begins afterwards FFAT, at 9 p.m. Visit outpostrep.org for admission information. Helen DeVitt Jones Clay Studio: Bounded artists affairs works, assorted media. Helen DeVitt Jones Flat Gallery: “Floral Interpretations,” by James W. Johnson, latest alternation of ample paintings exploring blush and animation of assorted flowers he has developed during his activity in Lubbock. John F. Lott Gallery: “Be Mine Valentine,” alternate Valentine exhibit, agreeable accessible to actualize cardboard affection for sweetheart. All abstracts provided. LHUCA Plaza: Alive music, acclimate permitting: 6 to 6:45 p.m., Tech Tones of Texas Tech; and 7 to 9 p.m., Jeremy Couture. Martin McDonald Gallery: “Layla Luna, Leaving Home to Find It.” Luna’s paintings are aggressive by photographs taken on southwestern alley trips to West Texas, New Mexico and Arizona.
* Charles Adams Gallery — 602 Ave. J, 788-1008. Showcasing art by Maisie Marie Alford, Shannon Cannings, John Chinn, Joe Clifford, Hannah Dean, Carol Flueckiger, Tina Fuentes, Glenn Garnett, B.C. Gilbert, Carol C Howell, Lynwood Kreneck, Artie Limmer, Joey Martinez, Abed Monawar, Chad Plunket, Catherine Prose, Philip Taylor, Ashton Thornhill, Sara Waters, James Watkins and Jonathan Whitfill. Also assignment by aboriginal bounded artists Peter Hurd, John Miegs and Henrietta Wyeth.
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* CASP/Charles Adams Flat Project — 5th & J Studios, 1106 Fifth St., 788-1008. 5th & J Courtyard: Food trucks, blaze pits. Includes afterward art options. 5th & J Gallery: Works by Tuesday Night Drawers, alternating casting of Lubbock artists that get calm and draw. CH Foundation Metals Studio: Student projects displayed. Helen Devitt Jones Print Studio: Activity press displayed. TTU Satellite Gallery: “I’m not fabricated for love,” accession art by Colin Tuis Nesbit forms large-scale, mixed-media architectonics including elements of artist-made chandeliers based on a brace from a Mississippi riverboat and projected archival footage of Judy Garland singing “Ol’ Man River,” from “Showboat.”
* CASP/Charles Adams Flat Project — Live/Work Studios, 1010 Mac Davis Lane, 788-1008. Flat 1: “Sun,” third of four exhibitions to focus on basic assets of the South Plains. All projects focus on harnessing the sun: as energy, as average and as a dialogue. “Sun” brings calm art objects, modular solar console kits and amphibian abode assignment spaces as a agency to access an interdisciplinary assurance with this basic resource. Participants and speakers accept assorted backgrounds in engineering (Tim Dallas), beheld art (Carol Flueckiger, Andrew Lawson and Krista Steinke) and architectonics (Chris Taylor). Flat 2: “Haveahome,” by Chris Marin, appearance alloyed media and accession works, acrylic on canvas, bolt and bendable sculptures. Flat 3: Rachel Anderson, Tech abettor professor, accoutrement architecture and manufacturing, and CASP artist-in-residence. Fashion architecture studio, exhibitions and alive demonstrations. Flat 4: “A Playground for (of) Blood Clots and Blood Spots,” by Stephanie Berrie, featuring awning printed acquainted plushies, tulle, watercolor paint, bolt dye, and accession with watercolor paintings and awning prints.
* CASP/Charles Adams Flat Project — Assignment Studios, 408 Ave. J, 788-1008. Flat A: Surface astriction by Kristy Kristinek, featuring acrylic, charcoal powder, book pastel, delicate graphite and acrylic acrylic on canvas, cardboard or fabric. Flat B: Shared by beheld artists Ghislaine Fremaux and Lando Valdez. Paintings, drawings, works on paper. Flat C: Alice Leora Briggs, sgraffito drawings, featuring “Los encobijados | the blanketed ones.” Flat D: analysis flat for Tech School of Art faculty.
Additional accommodating venues include:
* A Beautiful Mess & Co. — 2202 Ave Q, (806) 407-5895. Appearance accurate and video works by Lauren Lopez, exploring capacity of abode and identity.
* Art for Goodness Sake Fine Arts Gallery and Flat — 1810 19th Street, 771-2727. Featuring Krystal Applegate, acrylic on canvas, charcoal; Danny Boyce, photography; David Bransby, acrylic on canvas; Gary Chaffin, hand-built wire sculptures; Dick Cheatham, watercolor; Barbi Claridge, jewelry, booze ink on tile, and corrective decrepit glass; Erin McIntyre Jones, acrylic on canvas and panel; Clifton Duncan, 1950-’60s banana book cut cardboard collage; Michael W. Francis, hand-carved structural leather; Meyer Goldberg, pencil drawings; Manuel Hernandez, charcoal drawings; Ben Konis, pastels; David Lamb-Vines, acrylic on canvas, copse carvings; Leann Lamb-Vines, canteen mosaic, acrylic; Bobby Lee, photography; John Lee, neon; Harvey Madison, photography; Gloria Minnicks, adorning gourds; Nantandy, watercolor, pencil drawings, carving and copse block print; Bob Payne, photography, acrylic on canvas; Jesus Polanco, collage on pencil drawing; Aaron Price, acrylic on canvas; Linda Shough, oils on canvas; Sarah Stoune, gel and ink on paper; and Clarence Tittle, pen and ink drawings.
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* Bentley Arrow — 1702 Buddy Holly Ave., 778-4447. Alive entertainment, art for sale. Entertainers, artists not identified.
* Buddy Holly Center — 1801 Crickets Ave., 775-3560. Exhibit: “Rhymes and Rhythms in Black and White: West Texas Music through the Lens of Victor Mosqueda,” featuring ample ambit of images of performers defining bounded music scene. “Buddy Holly: Life, Legend, Legacy,” acquired from the Bill Griggs accumulating of artifacts, photos and memorabilia housed at Texas Tech’s Southwest Collection/Special Collections Library. Alive ball by Buddy Holly’s nephew, Eddy Weir, and his band.
* Caviel Building of African-American History — 1719 Ave. A, 787-0726. “African-American Artists,” affectation by Robbyne Hocker Fuller, displayed through April. Includes pencil paintings by Luis Estrada. All art assignment for sale; allocation of gain abutment museum.
* GlassyAlley Art Flat and Gallery — 1940 Texas Ave., (806) 535-2457. Appearance Cat Boucher, mosaic; Jan Dresher, painting; Margaret Dobbs, mosaic; Roxi Hardegree, photography, encaustic, oil and algid wax painting; Rick Kincheloe, bowl pictures; Jan Lloyd, band assets and painting; Pauline Mills, canteen and acrylics; and Linda Slatton, gourds. Paul’s Project: Need blankets, coffee, coffee filters, sugar, etc. to advice banal anew congenital shelters for homeless.
* Legacy Event Center — 1500 14th St., 792-2723. Featuring Linda Adkins, reimagined antique adornment (main showcase); John Bewley, accursed ink creations on canvas (atrium), Billie Briggs, alternation mail adornment (atrium), Anita’s Felted Menagerie by Anita Condit, bolt (main showcase), Woodsculpture by Greg Goodnight, creations in cedar and mesquite, acoustic guitar (main hall), “The Ironmonger” by George Gray, reimagined found-steel sculptures (main hall), Anna Henry, handmade adornment (atrium), Tif Holmes, photography, portraits and landscapes (atrium), Adam Otwell, acrylics and pastels (main hall), and Marika Pineda, bolt (main hall).
* Municipal Garden & Arts Center — 4215 University Ave, 767-3724. Art Quilts, affectation of adorning quilts.
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* Platform Restaurant — 1212 Avenue K, 762-1088. Featuring art by Tony McBeth. Alive music by guitarist Danny Moore, accompanied by bongo player. Bingham ancestors acreage assembly pn site, affairs by canteen or bottle. BYOB welcome.
* Amoroso Brown’s Coffee — 1947 19th St., (806) 701-6013. Paintings and aqueduct band annual arrange by Mark Tower, aggressive by bogie tales and floral themes. Includes demonstrations by Tower.
* Tornado Gallery — 1822 Buddy Holly Ave., 441-8564. Featuring Nick & Sarah Billalba, glasswork; George Gray, metalwork; Tosha Humphrey, oil on canvas; Larry Martinez, photography; and Deborah Milosevich, ceramics.
* Burghal Tech/TTU Press — 1120 Capital St., 543-7165. Alive music by David Benitez. Featuring “Framed Vision,” works on cardboard by Manuel J. Gonzalez; “Lubbock Infrastructure,” Lubbock Ability and Light exhibition by CoA alum work; “Downtown Master Plan,” exhibition by AIA communities by design; “Livability of Texas Cities,” exhibition by TTU CoA burghal theory; display/sale of Tech Press bounded authors; Historical abstracts & books on affectation by Tech Southwest Collection/Special Collections Library.
First Friday Art Aisle is a affairs of LHUCA fabricated accessible in allotment through a admission from the City of Lubbock, as recommended by Civic Lubbock, Inc., Texas Commission on the Arts and National Endowment for the Arts.
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