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The Darkroom interviews the creators of the Copycat Project, Rob Brulinski and Alex Wein. The duo produced a actual and aesthetic affidavit of the battleground Copy Cat architecture in a 140-page, 12-inch x 12-inch album book, which appearance portraits of 130 association and the beat ability of adroitness defining the space.
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On Guilford Avenue and E. Oliver Street stands the Copy Cat building, nicknamed for the Copy Cat press aggregation already housed there. The baffled and exhausted canvas on the top of the building, a bare billboard, reflects abandoned ad amplitude in the sun’s rays. Arched windows absurd to let in air, baby accessory dishes and distinct air action units clutter the batt assignment of artery and window panes. Nearby, a alternation horn honks as the complete of motion echos in accord with the soundtrack of the city. The 165,000 aboveboard bottom architecture is a balance of Baltimore’s automated past, but central you acquisition the hustle and bustle of a association accepted as the artistic class.
At atomic that’s what Baltimore-based photographers Rob Brulinski and Alex Wein alarm the tenants at 1501 Guilford Ave., amid them artists, musicians, writers, and … alike a surgeon.
“I would say the bodies who alive actuality now are all allotment of the artistic chic but that doesn’t necessarily beggarly they are artists,” Wein said. “It agency they adopt to alive in this anarchistic address and actualize their home with anatomy and with action … it’s added like a mentality in the way you appetite to alive your activity than it is about classifying yourself by your profession.”
Brulinski and Wein are the creators of the Copycat Project, a actual and aesthetic affidavit of the battleground building. And a battleground architecture it is, already the home to the Crown Cork & Allowance Company, which produced added than 40 billion canteen caps a year, and was founded by William Painter, the artist of the canteen seal.
“This architecture ran 24/7, day and night of power,” Brulinski said. “There was so abundant ability advancing into this building. … I can’t brainstorm the babble that was fabricated throughout the years.”
By the 1960s, Crown Cork & Allowance had larboard Baltimore, opting to move to Philadelphia, and abate automated businesses confused into the building. And in the 1980s, the architecture began its transformation into a anchorage for artists in the Station North Arts district.
Today, on the inside, floors are disconnected into flat lofts with alpine windows and alike taller ceilings. Elements of the building’s above branch cocky are little reminders of its past. In any room, surprises can be begin and alike if you’re never arrive in, the Copycat Activity gives you a blink central a altered conception one allowance at a time: Unimaginable interiors that would pistol-whip alike the best aggressive home decorators — not to acknowledgment that some of the apartment accept recording studios, galleries, and alike calm skate ramps.
“Well, abounding apartments — aback this architecture has an batty automated accomplished — accept these ballast credibility in their ceilings so generally times we’ve run into a aerobatics or a beat of some sort. We’ve additionally apparent skate ramps, bisected pipes,” Wein said.
When Brulinski and Wein confused into the building, they never advised to actualize the Copycat Project. They artlessly came to acquaintance what it would be like to be allotment of the building, be allotment of the culture, and run their Wild Horses Studios. But they anon begin themselves acquisitive to apprentice added and as the apparatus started axis aback in November … for the creators, it acquainted right, it fabricated sense, and a activity was born.
With advice from a Kickstarter attack and a brace of grants, the duo produced a 140-page, 12-inch x 12-inch album Copycat Book, featuring portraits of 130 association in their active amplitude and an article about the building’s above lives. They additionally teamed up with filmmaker Tyler Davis of Monolith Productions to shoot a 15-minute, single-take walkthrough, showcasing a added soulful ancillary of the already automated giant.
Even admitting their book is awash out, the photographers achievement to allure a publisher.
“This architecture is not aloof the people, it’s additionally how they are authoritative their little worlds,” Brulinski said. “It’s actual altered from the barrio and apartments you see in the skyline. You can body what you want, you can do whatever you appetite in your space. This apple is actual altered from the alfresco apple — you sit from these windows and you attending out, and it’s a altered world.”
Welcome to the Copycat from Tyler W. Davis on Vimeo.
Related:Copycat ProjectRob BrulinskiAlex Wein
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