A night of achievement art, art by outliers and the avant-garde, and the life’s assignment of a Southern photographer. Here are seven exhibitions and contest to analysis out in the advancing week:
Ink and Watercolor | Expeditionary Art – pen ink and wash techniques | pen ink and wash techniques
“En Cuatro Patas: Nao Bustamante, Gina Osterloh and Dorian Wood,” at the Broad Museum. It is the final accession of the feminist, Latinx achievement alternation organized by Bustamante, who is a acclaimed achievement artisan herself. The atramentous will accommodate a alternation of accomplishments about the architectonics and the accessible capital that will abide of absorption the body, an artist’s comedy with caliginosity and another’s analysis of voice. Thursday at 8:30 p.m. 221 S. Grand Ave., burghal Los Angeles, thebroad.org.
“Outliers and American Vanguard Art,” at the Los Angeles County Architecture of Art. Like best added areas of culture, art has continued been absent with issues of credential: of those who are able in the academy and those who are not — admitting credential has never been a agreement of bearing art that is transcendent. This absolute exhibition, organized in accord with the Civic Arcade of Art, presents added than 250 works by added than 80 artists that chronicles moments in time in which the self-taught intersected with the avant-garde. This includes assignment by Henry Darger, Cindy Sherman, Kara Walker and Martín Ramirez, amidst abounding others. Opens Sunday and runs through March 17. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org.
Lee Mullican, “The Marble Drawings, 1966-1970,” at Marc Selwyn Fine Art. Mullican was a affiliate of the Dynaton group, an affecting leash of artists from the ’50s absorbed in surrealism, automatism and mysticism. The accumulation was short-lived, but some of its precepts lived on in his assignment as an absolute artist, such as his alleged marble drawings, which acclimated alliteration and arrangement to actualize works that approach the spiritual. Opens Saturday at 6 p.m. and runs through Feb. 2. 9953 S. Santa Monica Blvd., Beverly Hills, marcselwynfineart.com.
Sally Mann, “A Thousand Crossings,” at the Getty Museum. Over added than four decades, the columnist has actual the lives of her children, her husband, the Virginia mural and its afflicted bequest of bullwork and Jim Crow. This exhibition, organized by the Civic Arcade of Art in Washington, brings calm 110 atramentous and white images, some produced as tintypes, and abounding of which accept never afore been seen. Altogether, a attending into histories both claimed and political. Opens Friday and runs through Feb. 10. 1200 Getty Center Dr., Brentwood, Los Angeles, getty.edu.
Alison O’Daniel, “The Sea, The Stars, The Landscape,” at Pollution.tv Studios. O’Daniel is presenting an 18-minute abbreviate of her best blur “The Tuba Thieves,” which is about complete and accident of hearing. The allotment is actuality staged as a bump by Los Angeles Nomadic Division and will be accompanied by artisan Helga Fassonaki, alumnae of the Centennial High School Marching Bandage and trumpet amateur Omar Corona (who has a role in the film). Admission is chargeless but an RSVP is required. Sunday at 5 p.m. 3239 Abutment Pacific Ave., Los Angeles, nomadicdivision.org.
Bridget Riley, “Painting Now,” at Sprüth Magers. For about six decades, the acclaimed optical artisan has toyed with acumen in two ambit by application shape, blush and anatomy to actualize aberrant canvases (a analogue to L.A.’s ablaze and amplitude movement). This accepted appearance appearance one of her ancient pointillist works dating aback to 1960 with added contempo bandage and deejay paintings. Expect some acceptable vibrations. Opens Thursday at 6 p.m. and runs through Jan. 26. 5900 Wilshire Blvd., Mid-Wilshire, Los Angeles, spruethmagers.com.
Victoria May and Lisa Diane Wedgeworth, “Woman / Woman,” at Louis Stern Fine Arts. A two-woman appearance brings calm works by artists whose pieces apply arrangement and apparent to actualize canvases that go above the two-dimensional. In her work, Wedgeworth channels elements of the astronomical, while May’s art is apprenticed in the earthier abstracts (from chiffon to alpaca fur) that she brings calm in collaged bank installations. Opens Sunday at 5 p.m. and runs through January 12. 9002 Melrose Ave., West Hollywood, louissternfinearts.com.
“Elegant Science,” at Unit 5. A accumulation appearance is focused on assignment by artists who appoint science and technology in their work. This includes celebrated imagery, by the brand of 19th aeon columnist Eadward Muybridge, accepted for his groundbreaking images of a horse in mid-gallop, and added abreast assignment by the brand of Trevor Paglen, who has created annal of civic aegis infrastructure. Added artists featured accommodate Man Ray, Thomas Struth and Kerry Tribe. The amplitude is a new accord amidst two L.A. galleries: Praz-Delavallade and 1301PE. Opens Saturday at 6 p.m. and runs through Dec. 2. 6150 Wilshire Blvd., Carthay, Los Angeles, 1301pe.com.
“Anatomy of Oil,” at Gas Gallery. Los Angeles had stretches that were already covered in oil absorption basement such as pumpjacks, a few of which still dot the burghal as vestige. This accumulation appearance looks at the history of oil assembly in our burghal and the agency in which it has shaped the landscape. Through Nov. 24. The barter will be anchored at Odd Ark L.A. (7101 N. Figueroa St., Unit E), amidst added locations. Analysis the website for the abounding schedule, gas.gallery.
Jo Ann Callis, “Now and Then,” at Rose Gallery. Callis is accepted for her complete accurate scenes, generally apprehension $.25 of bodies at odd and askance angles, in agency that accept to antic and angry animal scenarios or their actual aftermath. Through Nov. 24. Bergamot Station, 2525 Michigan Ave., No. D4, Santa Monica, rosegallery.net.
“Wireframes: The Visualization of Architecture,” at the A D Museum. An exhibition gathers assignment by 30 artists and architects that appraise the agency in which barrio are presented in renderings. Through Nov. 25. 900 E. 4th St., burghal Los Angeles, aplusd.org.
Porfirio Gutiérrez and Ricardo Palavecino, “Exodo,” at the Palm Springs Art Museum. A pop-up and annex alternation appearance Gutiérrez’s weavings and Palavecino’s video and photography from Oaxaca, alms a window into abreast Zapotec activity in the southern Mexican region. Through Nov. 30. 101 Architecture Drive, Palm Springs, psmuseum.org.
Sadie Barnette, “Black Sky,” at Charlie James Gallery. The multimedia artist’s works generally appoint amusing and actual issues, such as the agency in which the FBI advised the Atramentous Panthers (of which her ancestor was a member). This abandoned exhibition, her added at the gallery, appearance the collaged pieces that apply her father’s FBI files as antecedent actual as able-bodied as an immersive accession that riffs on the attributes of calm space. Through Dec. 1. 969 Chung King Road, Chinatown, Los Angeles, cjamesgallery.com.
“IndigNATION: Political Cartoons by Jim Carrey, 2016-2018,” at Maccarone. The actor, it turns out, is absolutely accessible with a pen. And in acknowledgment to our political situation, he has produced a alternation of political cartoons that, in belittling ways, aces afar the foibles of the Trump administration. Through Dec. 1. 300 S. Mission Rd., Boyle Heights, Los Angeles, maccarone.org.
“All that Glitters: Activity at the Renaissance Court,” at the Getty Museum. No accumulation in history has absolutely done bling like the Renaissance elite: there was aflame armor, affluent textiles, monarchs draped in brocaded aggregate — not to acknowledgment architectonics brindled with aflame decrepit bottle and added abundant details. This exhibition gathers aflame manuscripts, paintings, drawings, domiciliary accessories and accessories that aback the affluence of activity in a Renaissance court. Get accessible for some austere shine! Through Dec. 2. 1200 Getty Center Dr., Brentwood, Los Angeles, getty.edu.
Fred Tomaselli at the Oceanside Architecture of Art. The New York-based painter is accepted for creating aberrant canvases that analyze catholic and centralized journeys — acutely collaged paintings that generally apply abstracts such as consciousness-expanding drugs (cannabis leaves and pills) amidst layers of adhesive and paint. Through Dec. 2. 704 Pier Appearance Way, Oceanside, oma-online.org.
Justin Brice Guariglia, “Earth Works: Mapping the Anthropocene,” at the Fisher Architecture of Art and, “Earth Works,” at the Accustomed History Museum. In all-embracing works that amalgamate photography and layers of paint, Guariglia advance the agency in which bodies are affecting the planet — the age accepted as the anthropocene. The artisan flew with NASA to analysis melting glaciers in Greenland, and some of the works in the appearance awning the accompaniment of our ambiguous ice caps. But Guariglia additionally looks at the agency in which bodies accept shaped the apparent of the planet in added ways, such as mining and agriculture. The appearance is advance above two institutions: the Fisher Architecture of Art at USC and the Accustomed History Museum, which lies appropriate above the street. Through Dec. 8. Fisher Architecture of Art, 823 W. Exposition Blvd., University Park, fisher.usc.edu and nhm.org.
Joaquin Boz, “Bruselas y Nueva York,” and George Rouy, “Smothered Awake,” at Steve Turner. The arcade has a brace of shows on view. This includes paintings by the Buenos Aires-based Boz that were created during aesthetic sojourns in Brussels and New York. In a abstracted gallery, Turner is assuming paintings by Rouy, an English artisan whose all-embracing canvases affection bodies angled and compressed. Through Dec. 8. 6830 Santa Monica Blvd., Hollywood, steveturner.la.
Janet Sternburg, “Limbus,” at the Fisher Architecture of Art. Sternburg creates acutely layered photographs that aren’t so abundant one angel as an circle of images: reflections, mirrors, chantry captured as apparent through added objects. Through Dec. 8. 823 W. Exposition Blvd., University Park, fisher.usc.edu.
“Judy Dater: Only Human” at the Laband Art Gallery. Over 50 years, Dater, who is from Los Angeles, has created assignment that challenges the clichéd stereotypes of women and the changeable anatomy in portraiture, as able-bodied as beautifully composed images that agglutinate mural and the body. The exhibition, organized by San Francisco’s De Young Museum, will affection 50 of the artist’s able works from throughout her affecting career. Through Dec. 8. 1 LMU Dr., cfa.lmu.edu.
“A Handful of Dust: From the Catholic to the Domestic,” at the California Architecture of Photography. Dust permeates the air about us. Dust will coffin the cities we alive in aback we are gone. A accumulation exhibition at UC Riverside brings calm images produced over the aftermost aeon that abduction the assorted aspects of dust. The images are both amiable and destructive, featuring the accustomed world, but additionally aspects of burghal decay. Artists featured accommodate John Divola, Man Ray, Gerhard Richter and Shomei Tomatsu. Through Dec. 9. UC Riverside Artsblock, 3824 Main St., Riverside, artsblock.ucr.edu.
Pen and Ink Techniques: Watercolor Wash | Pen and Ink Techniques – pen ink and wash techniques | pen ink and wash techniques
Sou Fujimoto, “Futures of the Future,” at Japan House. An exhibition gathers added than 100 models and all-embracing photographs of assignment by the affecting Japanese architect. Fujimoto has advised libraries, pavilions and Tokyo’s iconic House NA, a cautiously rendered abode that consists of a alternation of staggered bottle volumes that architectonics analyzer Oliver Wainwright already declared as “the abutting affair to a bottle and animate treehouse.” Through Dec. 12. 6801 Hollywood Blvd., Hollywood, japanhouse.jp.
Peter Williams, “River of Styx,” at Luis De Jesus Los Angeles. In a alternation of bright, pointillist paintings, Williams explores the bisect amidst the apple of the active and the asleep while additionally angry with some actual accepted capacity in U.S. society, including badge violence, bribery and the systems that favor some over others. Through Dec. 15. 2685 S. La Cienega Blvd., Culver City, luisdejesus.com.
Olafur Eliasson, “The Acceleration of Your Attention,” at Tanya Bonakdar. The high-profile New York arcade now has a Los Angeles space, and to bang off the abatement season, it is activity with a high-profile artist: Eliasson, who is accepted for his all-embracing architectural assignment that plays on the attributes of acquaintance and concrete space. His accepted alternation of works explores the absorption of the acceleration at which absorption moves — aggressive by a address deployed in ball in which choreography is generated by improvised acquaintance amidst two people. Through Dec. 15. 1010 N. Highland Ave., Hollywood, tanyabonakdargallery.com.
Betye Saar, “Something Blue,” and “Holding Up 1/2 the Sky,” at Roberts Projects. The arcade has two shows on view. The aboriginal appearance the assignment of Saar, the acclaimed aggregation artist, who will be assuming a alternation of pieces produced over a aeon of 3½ decades, from 1983 to 2018, that all apply the blush dejected in some appearance — a accent that, for the artist, channels elements of magic, purity, adulation and aegis adjoin the Evil Eye. Aggressive by Saar’s able use of materials, babysitter jill moniz brings calm assignment by changeable sculptors in a abstracted gallery. This sounds like one not to miss. Through Dec. 15. 5801 Washington Blvd., Culver City, robertsprojectsla.com.
Ricky Swallow, “Shoulders” and Ivan Morley, “Olvera Street,” at David Kordanksy Gallery. The arcade has a brace of new shows on view. The first, by Swallow, appearance new, larger-scale assignment by the artisan accepted for apprehension apprehensive abstracts such as braiding and rattan pikestaff in abiding bronze. Morley, in the meantime, has a alternation of works aggressive by chantry begin on Olvera Street, including accoutrement and corrective bottle — works that additionally reflect on Los Angeles history dating aback to the era of the Spanish colony. Through Dec. 15. 5130 Edgewood Pl., Mid-Wilshire, Los Angeles, davidkordanskygallery.com.
Mary Reid Kelley & Patrick Kelley, “America Rides the Breakfast Table,” at Susanne Vielmetter Los Angeles Projects. The latest appearance by the multimedia duo centers about a contempo video project, “The Anatomy of the Sturgeon,” which depicts a abysmal aggregation in the Pacific Theater during the final canicule of Apple War II. Each bandage of the calligraphy is taken from a bandage in “The Song of Hiawatha,” the ballsy composition by Henry Wadsworth Longfellow that helped adhesive the absorption of the blue-blooded savage; the artists afresh accolade Longfellow’s words and rendered them anew. Additionally on appearance will be sculptures, paintings and accurate lightboxes affiliated with the project. Through Dec. 15. 6006 Washington Blvd., Culver City, vielmetter.com.
Trudy Benson, “Cuts, Paints,” at Team Bungalow. On the surface, Benson’s paintings ability accept like simple geometric abstractions. But booty a afterpiece attending and they acknowledge abysmal layers: spray-painted squares, blubbery layers of paint, sections that are taped off and afresh bald aback to acknowledge the colors underneath. These comedy with blush as abundant as texture. Through Dec. 16. 306 Windward Ave., Venice, teamgal.com.
“Divided Brain,” at LAVA Projects. A accumulation appearance of 15 Los Angeles artists appearance assignment that unites qualities of accomplishment with those of an dizzying wildness. Artists on appearance will accommodate Jim Shaw, Michael Alvarez, Robyn O’Neil and Winnie Truong. Through Dec. 16. 2417 W. Valley Blvd., Alhambra, lavaporjects.com.
“Akunnittinni: Akinngait Ancestors Portrait,” at the Armory Center for the Arts. A active accumulation appearance chronicles art by three ancestors of one Inuit family: Pitseolak Ashoona (1904-1983), her babe Napachie Pootoogook (1938-2002) and granddaughter Annie Pootoogook (1969-2016), which captures elements of circadian activity and the alive mural beyond. Additionally on appearance is a appearance of paintings by Marta Chaffee that chronicles the California landscape. Through Dec. 16.145 N. Raymond Ave., Pasadena, armoryarts.org.
“Reuven Israel: In Four Acts,” at Shulamit Nazarian. In his added abandoned appearance with the gallery, the artisan is presenting a alternation of modular sculptures — complete out of cut oak and assumption accouterments — that can be presented in altered configurations. Each allotment will change four times during the advance of the show. Through Dec. 20. 616 N. La Brea Ave., Hancock Park, Los Angeles, shulamitnazarian.com.
Marcia Hafif, “A Abode Apart,” at Pomona College Architecture of Art. The minimalist painter, whose assignment explored color, its ambit and its histories, has a appearance of added than 100 works on appearance at the museum. In accession to her paintings, for which she was best known, the appearance additionally explores Hafif’s cartoon practice. Through Dec. 22. 330 N. College Ave., Claremont, pomona.edu/museum.
Chung Sang-hwa and Shin Sung-hy, at Blum & Poe. A two-man appearance appearance attenuate and celebrated works by two key Korean painters of the 20th century: Chung, who is affiliated with the minimalist Dansaekhwa movement of the ’70s, and Shin, who is accepted for dabbling with the two-dimensional attributes of painting, bearing hyper-realistic representations of jute on jute canvas. Through Dec. 22. 2727 S. La Cienega Blvd., Culver City, blumandpoe.com.
Tavares Strachan, “Invisibles,” at Regen Projects. Strachan has a above accession on appearance as allotment of the afresh opened Carnegie International in Pittsburgh — and it connects with the appearance he has put calm at Regen: pages of a reimagined Album Britannica that accommodate the actual abstracts larboard out by the authors of the aboriginal encyclopedia, who accept historically been white and male. It’s an acute attending at the attributes and ability of ability and how it is controlled. Through Dec. 22. 6750 Santa Monica Blvd, Hollywood, regenprojects.com.
Yunhee Min & Peter Tolkin, “Red Carpet in C,” at UCR Arts. Aggressive by the writings of Johann Wolfgang von Goethe, who declared music as “liquid architecture” and architectonics as “frozen music,” Min and Tolkin accept created an accession that fills the UCR Arts atrium with an bouncing anatomy complete out of 150-foot bands of bolt and added than 17,000 atramentous cardboard tubes. Through Dec. 29. UC Riverside, 3824 and 3834 Main St., Riverside, ucrarts.ucr.edu.
Judithe Hernández, “A Dream Is the Shadow of Article Real,” at the Architecture of Latin American Art. Hernández is accepted for her assignment as a painter and muralist; the architecture is showcasing added than two dozen of her contempo works on paper: dream-like scenes that affection women and wildlife adjoin hardly surreal landscapes. Additionally on appearance will be a cardinal of Hernández’s aboriginal sketchbooks, as able-bodied as the museum’s contempo acquisition, her canvas “Les Demoiselles d’Barrio,” a feminist booty on Picasso’s 1907 “Les Demoiselles d’Avignon.” Through Dec. 30. 628 Alamitos Ave., Continued Beach, molaa.org.
“Stone to Stains: The Assets of Victor Hugo” at the Bang Museum. Hugo is best accepted as the biographer and author who produced the iconic arcane works “Les Misérables” and “The Hunchback of Notre Dame.” He was additionally an able artist. And this exhibition showcases some of the bags of rarely apparent ink and ablution assets he larboard abaft aloft his afterlife in 1885. Expect to see the apple — architecture, landscapes and roiling seas — through the eyes of this atypical figure. Through Dec. 30. 10899 Wilshire Blvd., Westwood, Los Angeles, hammer.ucla.edu.
“Striking the Iron: The Art of African Blacksmiths,” at the Fowler Museum. A sprawling exhibition of added than 225 chantry will appraise the adroitness of African blacksmiths of the 19th and 20th centuries, who artificial adamant chantry — such as blades, elements of carve and agreeable instruments — that were as aesthetically adorable as they were, in abounding cases, functional. Abounding objects, fatigued from the Fowler’s collection, are affiliated with rituals and the admiral of the accustomed world. This is the admission of this traveling exhibition, which will afresh go on to the Civic Architecture of African Art in Washington. Through Dec. 30. 308 Charles E. Young Drive N., Westwood, Los Angeles, fowler.ucla.edu.
“Gary Simmons: Fade to Black,” at the California African American Museum. In a antechamber accession — one that takes abounding advantage of its admeasurement and calibration — Simmons pays accolade to abandoned African American actors and films. On a atramentous background, the L.A. artisan appearance the titles and names of films and individuals important to the aboriginal canicule of Hollywood history, but abandoned over time. Through Dec. 31. 600 Accompaniment Drive, Exposition Park, Los Angeles, caamuseum.org.
“Childhood Larboard at the Station: A Accolade to the Accouchement of the Kindertransport,” at the Los Angeles Architecture of the Holocaust. At the alpha of Apple War II, a non-denominational accumulation accurate by Jewish, Quaker and added groups alleged the Movement for the Care of Accouchement From Germany organized to accomplishment accouchement afflicted by the Nazi authorities in Germany. This exhibition brings calm chantry from 10 of the estimated 10,000 accouchement who were rescued from Germany — abounding of whom never saw their parents again. Through Dec. 31. 100 The Grove Drive, Fairfax, Los Angeles, lamoth.org.
“Sperm Cult,” at LAXART. A accumulation exhibition takes on the generative, myth-making ability of sex, all aggressive by a book activity by Elijah Burgher and Richard Hawkins that explored sex in affiliation with ritual and the occult. Through Jan. 5. 7000 Santa Monica Blvd., Hollywood, laxart.org.
Sarah Steinberg, “In the Woods,” at Lois Lambert Gallery. Anamnesis has a way of fashioning absoluteness into article else. Steinberg explores this abnormality in a alternation of works that abide on a Canadian mural that has been baby to her, but which aren’t accurate depictions of that place. Instead, her assignment is added about sensations, shapes and accustomed architecture.Through Jan. 5. Bergamot Station, 2525 Michigan Ave., Santa Monica, loislambertgallery.com.
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“Here,” at the Los Angeles Municipal Art Gallery. A accumulation exhibition examines the concrete and bounded boundaries that ascertain Los Angeles and its bound — and the agency in which those boundaries can about-face and change. This will accommodate painting, video and accession by a advanced ambit of L.A.-area artists, including Mario Ybarra Jr., Henry Taylor, Sandy Rodriguez and Fran Siegel. Through Jan. 6. 4800 Hollywood Blvd., Hollywood, lamag.org.
Rick Bartow, “Things You Know but Cannot Explain,” at the Autry Architecture of the American West. This is the aboriginal absolute exhibition adherent to the backward Oregon-born painter, a affiliate of the Mad River bandage of Wiyot. Bartow developed a career as an artisan afterwards in activity — afterwards his account in the Vietnam War and a aeon alienated with PTSD. On canvas, he begin inspiration, cartoon from celebrated and abreast European and Native American aesthetic traditions to actualize a admixture of article new: addictive and affiliated images of creatures who approach affliction and frailty. Through Jan. 6. 4700 Western Heritage Way, Griffith Park, Los Angeles, theautry.org.
Adrian Piper, “Concepts and Intuitions, 1965-2016,” at the Bang Museum. This is the best absolute exhibition adherent to the career of the conceptual artist, whose multimedia assignment has served as an advancing assay of issues of gender, race, character and those countless states in between. Over the advance of the exhibition, some of Piper’s performances will be staged in the galleries, such as “The Humming Room,” which demands that bodies hum a tune afore actuality accustomed to bisect the room. Featuring 270 works from both accessible and clandestine collections, the appearance represents an important application of the assignment of a awful affecting American artist. Through Jan. 6. 10899 Wilshire Blvd., Westwood, Los Angeles, hammer.ucla.edu.
John Sonsini, “Daywork: Portraits,” at the Continued Beach Architecture of Art. In his work, Los Angeles artisan Sonsini has been recording the attendance of day laborers in the city. This is the aboriginal absolute exhibition of his work. Through Jan. 6. 2300 E. Ocean Blvd., Continued Beach, lbma.org.
Merion Estes, “Unnatural Disasters,” at the Craft & Folk Art Museum. Estes is accepted for bearing bright, abundantly collaged paintings that booty on mural as able-bodied as above apropos about altitude and environment. The analysis of her career at CAFAM gathers works from a 20-year period. Raised in Southern California, Estes came from a bearing of artists who emerged from the Woman’s Architectonics and is carefully affiliated with the Arrangement and Decoration movement of the ’70s and ’80s. In a abstracted exhibition at the museum, Sherin Guirguis is assuming works aggressive by the activity and assignment of the backward Egyptian artisan and biographer Doria Shafik, pieces that draw aloft important architectural sights, works and actions. Through Jan. 6. 5814 Wilshire Blvd., Mid-Wilshire, Los Angeles, cafam.org.
“Life in this Ocean,” at the Annenberg Community Beach House. A four-woman appearance featuring Donna Bates, Deirdre Sullivan Beeman, Lena Rushing and Kathy Taslitz explores archetypes of the female. Through Jan. 7. 415 Pacific Coast Highway, Santa Monica, lifeinthisocean.com and annenbergbeachhouse.com.
“La Reina de Los Angeles,” at the Sturt Haaga Arcade at Descanso Gardens. Works by an arrangement of Los Angeles-based artists, including Michael Parker, Judy Baca, Galia Linn and Carolina Caycedo, will attending at the accord amidst bodies and baptize in Los Angeles and beyond. Through Jan. 13. 1418 Descanso Drive, La Cañada Flintridge, descansogardens.org.
“War of Nerves: Psychological Landscapes of the Cold War,” at Wende Museum. The Cold War wasn’t aloof about the accouterments (a.k.a. the weapons), it was additionally about culture. And this exhibition looks at the agency in which the abhorrence of nuclear confusion embodied itself in art and architecture — bottomward to the toys that accouchement played with. Through Jan. 13. 10808 Culver Blvd., Culver City, wendemuseum.org.
“AxS Festival: Burghal as Wunderkammer,” in locations in Pasadena and surrounding communities. Aggressive by the absorption of the chiffonier of curiosities, this year’s AxS festival, organized by Fulcrum Arts, dwells in the apple of art and science. The festival, which appearance exhibitions and contest about Pasadena and the Pomona Valley, will accept shows adherent to ceramics (Shumei Hall Gallery), video adventurous art (at And/Or Gallery) and acoustic accessories affiliated with beef (Pitzer College Galleries). Analysis the website for times and locations; some exhibitions will run through Jan.13. axsfestival.org.
Guadalupe Rosales, “Echoes of a Aggregate Memory,” at the Vincent Price Art Museum. For years, the Los Angeles artisan has been architectonics an annal of ephemera accompanying to Chicano adolescence culture: flat portraits, breezy snapshots, flyers, magazines, mixtapes and added objects. In her aboriginal abandoned architecture show, she is employing these in installations that appraise the both the affectionate and accessible agency in which SoCal adolescence accept historically affiliated over fashion, music, cruising, acclaim and backyard parties. The exhibition will accommodate video, collages and an chantry to the anamnesis of a accessory absent to assemblage violence. Through Jan. 19. East Los Angeles College, 1301 Cesar Chavez Ave., Monterey Park, vincentpriceartmuseum.org.
Nina Chanel Abney, “Royal Flush,” at the California African American Museum. In ablaze canvases that agglutinate elements of pop, apologue and adventurous clear forms, Abney creates beheld narratives that analyze aspects of abreast life, including race, character and sexuality. Through Jan. 20. 600 Accompaniment Drive, Exposition Park, Los Angeles, caamuseum.org.
“California Bound: Bullwork on the New Frontier, 1848-1865,” at the California African American Museum. The Fugitive Bondservant Act of 1850 appropriate that able disciplinarian be alternate to their masters — alike if those disciplinarian were in states in which bullwork was not legal. In that aforementioned year, California abutting the union. California was not a bondservant state, but it activated the law — admitting erratically. Employing photographs, actual abstracts and added ephemera, this exhibition examines California’s history in affiliation with slavery. Through Jan. 21. 600 Accompaniment Dr., Exposition Park, Los Angeles, caamuseum.org.
“Architects of a Golden Age: Highlights from the Huntington’s Southern California Architectonics Collection” at the Huntington Library. Fatigued from the museum’s accumulating of 20th-century architectural drawings, this exhibition appearance a alternation of affected renderings from the 1920s and ’30s of some of L.A.’s best cogent buildings, including Abutment Station, the Mayan Theater and the Stock Barter Building. Through Jan. 21, huntington.org.
Cara Romero, “Matriarchs,” at the El Segundo Architecture of Art. A accumulation appearance organized by aboriginal curators — Kristen Dorsey (Chickasaw Nation) and Jaclyn Roessel (Diné) — appearance assignment by a dozen aboriginal women artists apery 14 aboriginal communities accoutrement capacity such as gender, ecology activism and abandon adjoin women in a ambit of art media, including painting, fashion, metalwork, photography and installation. Through Jan. 26. 208 Main St. El Segundo, esmoa.org.
“The Renaissance Nude,” at the Getty Museum. How did the nude access its important annex in Western art history? An exhibition at the Getty aims to accord us a ankle with a sprawling exhibition of added than 100 works — including painting, sculpture, assets and aflame manuscripts — that analyze the centers best generally associated with the Renaissance nude and how the anatomy was active in a ambit of cultural contexts, including Christian culture, art approach and added affectionate concerns. The appearance will accommodate an arrangement of works by abstracts such as Titian, Michelangelo, Giovanni Bellini and Lucas Cranach the Elder, amidst abounding others. This is one not to miss. Through Jan. 27. 1200 Getty Center Dr., Brentwood, Los Angeles, getty.edu.
Sandy Rodriguez, “Codex Rodriguez-Mondragón,” at the Riverside Art Museum. Aggressive by Bernardino de Sahagún’s 16th aeon codex, accepted as the Florentine Codex, a abundantly abundant address on colonial activity in the Americas otherwise, the Los Angeles artisan has created a alternation of paintings that certificate the mural and backroom of our era on amate, a handmade cardboard from Mexico. For paint, she employs indigenous, plant-based inks that she fabricates herself. Like colonial documents, which were generally abounding of apparatus and fantasy, her aberrant maps additionally argue with issues of force and chains — in this case, the deportations and child-separation cases affecting abreast Latin American immigrants. Through Jan. 27. 3425 Mission Inn Ave., Riverside, riversideartmuseum.org.
Rosa Loy, “So Near and Yet So Far,” at Kohn Gallery. Loy, one of the few women associated with Germany’s New Leipzig School (a surreal booty on allegorical painting that emerged in the deathwatch of the country’s reunification), is accepting her added abandoned appearance at the gallery. On appearance are works that draw from medieval imagery, bogie tales, belief and the Wagnerian — absolutely appropriately, aback Loy and her husband, painter Neo Rauch, formed on apparel and set architecture for the assembly of “Lohengrin” at the Bayreuth Festival. Through January. 1227 N. Highland Ave., Hollywood, kohngallery.com.
B. Wurtz, “This Has No Name,” at the Institute of Abreast Art Los Angeles. Is it accessible to riff on minimalism and $.25 art in a distinct sculpture? B. Wurtz proves that it is. The artisan is accepted for agilely odd works that apply take-out tins, artefact packaging, socks and $.25 of copse as architectonics blocks for assemblages that drag the banal while putting a pin to the airship of austerity. Do not absence the video of the Bic pen. Through Feb. 3. 1717 E. 7th St., burghal Los Angeles, theicala.org.
“Being Here With You / Estando Aquí Contigo: 42 Artists From San Diego and Tijuana,” at the Architecture of Abreast Art San Diego. A accumulation appearance brings calm assignment by 42 artists and collectives active and alive in San Diego and Tijuana and shows the cultural dialogues that accept occurred above one of the world’s hardest political lines. The show’s appellation is a advertence to the region’s agreeable history — taken from lyrics from the tune “Angel Baby,” performed by Rosie and the Originals, a boyish bandage from Civic City. Through Feb. 3. 1100 Kettner Blvd., San Diego, mcasd.org.
“Ink,” at the Architecture of Latin American Art. This exhibition brings calm assorted histories of tattooing in L.A. — including those aggressive by aggressive culture, Chicano tattooing and added celebrated forms. It will be presented alongside works from the abiding accumulating that affix with the affair of tattooing. Through Feb. 3. 628 Alamitos Ave., Continued Beach, molaa.org.
“Art of Three Faiths: A Torah, A Bible, and a Qur’an,” at the Getty Museum. The Getty Architecture acquired the Rothschild Pentateuch, a arrangement of the aboriginal bristles books of the Torah from the 13th century. It is now putting this attenuate certificate on affectation with added examples of aflame angelic texts, including a Christian Bible and a Koran. Through Feb. 3. 1200 Getty Center Drive, Brentwood, Los Angeles, getty.edu.
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“La Raza,” at the Autry Architecture of the American West. In its day, the civilian rights advertisement La Raza, which was based in Lincoln Heights, served as a bible for the Chicano movement, accoutrement protest, action and accustomed activity for the Mexican American communities of Los Angeles. Over the years, the cardboard accumulated an annal of 25,000 images, afresh digitized by the Chicano Studies Research Center. Abounding are now on appearance as allotment of this PST: LA/LA appearance at the Autry — and in a time of political affray surrounding the issues of civilian rights, this exhibition couldn’t be added timely. Through Feb. 10. 4700 Western Heritage Way, Griffith Park, Los Angeles, theautry.org
“Regeneración: Three Ancestors of Advocate Ideology,” at the Vincent Price Art Museum. A accumulation exhibition examines three movements, from three altered eras, that served as key moments for the barter of activist and advocate account amidst the U.S. and Mexico. All of this is centered on “regeneración” — or about-face — a appellation aboriginal active by the Flores Magon brothers during the era of the Mexican Revolution. It was adopted by Chicano activist circles in the 1970s, for the annual “Regeneración,” and the ’90s beginning amplitude Regeneración/Popular Resource Center of Highland Park. Through Feb. 16. 1301 Cesar Chavez Ave. Monterey Park, vincentpriceartmuseum.org.
Deana Lawson, “Planes,” at the Underground Museum. Lawson is accepted for portraits that affection atramentous men and women in august poses, generally in apprehensive calm settings. In the past, she has declared her capacity as the “displaced kings and queens of the diaspora.” This appearance gathers examples of her contempo work. Through Feb. 17. 3508 W. Washington Blvd., Arlington Heights, Los Angeles, theunderground-museum.org.
Robert Pruitt, “Devotion,” at the California African American Museum. Pruitt paints bodies in agency that abduction their airy aspects. In his aboriginal above architecture appearance in L.A., he uses this framework to analyze aspects of adherence in his own activity and upbringing. Through Feb. 17. 600 Accompaniment Drive, Exposition Park, Los Angeles, caamuseum.org.
“The Archival Impulse: 40 Years at LACE,” at Los Angeles Abreast Exhibitions. LACE, the celebrated Los Angeles art atom that gave key shows to Mike Kelley and groups such as Survival Research Laboratories in the ’80s, is axis 40 — and to mark the occasion, the alignment has been dabbling about its emblematic attic (aka its archive) to see what it ability about-face up. This appearance gathers elements from that annal as able-bodied as video works by a ambit of Los Angeles artists, including Jim Shaw, Susan Mogul and Reza Abdoh. Through Feb. 24. 6522 Hollywood Blvd., Hollywood, welcometolace.org.
Carolina Caycedo and Mario Ybarra Jr., “Rituals of Activity and Engagement,” at the Huntington Library, Art Collections and Botanical Garden. For three years running, the Huntington has arrive abreast artists to acknowledge to and install assignment on their grounds. For this go-around, the architecture has teamed up with the Vincent Price Art Architecture to action a address affairs to two artists — Caycedo and Ybarra — who accept spent several months belief the Huntington’s collections and produced assignment aggressive by the collection. In particular, about issues of activity aural the ambience of the collection, but additionally the armpit of the Huntington itself. Through Feb. 25. 1151 Oxford Road, San Marino, huntington.org.
“A Journey That Wasn’t,” at the Broad museum. A accumulation appearance fatigued from the museum’s accumulating appearance assignment by added than 20 artists whose assignment dwells on the absorption of time and its passage. This includes pieces by Ed Ruscha, Glenn Ligon and Sharon Lockhart and will affection the acknowledgment of the video accession “The Visitors,” by Ragnar Kjartansson, a absorbing multi-channel accession that appearance a accumulation of musicians arena a aggregate allotment while built-in in apartment of a corrupt mansion. In added words: a acceptable breach from the news. Through February. 221 S. Grand Ave., burghal Los Angeles, thebroad.org.
Ai Weiwei, “Life Cycle,” at the Marciano Art Foundation. This represents the aboriginal cogent institutional exhibition for the Chinese agitator artisan in Los Angeles and will accommodate iconic works such as “Sunflower Seeds,” Ai’s 2010 accession of bags of bowl pieces anxiously hand-painted to resemble seeds, as able-bodied as new works that argue with Europe’s advancing refugee crisis. Through March 3. 4357 Wilshire Blvd., Windsor Square, Los Angeles, marcianoartfoundation.org.
“The Notion of Family” at the California African American Museum. A accumulation exhibition spanning two centuries looks at depictions of the African American ancestors over time — in affectionate calm settings, but additionally in gatherings both clandestine and public. This includes aboriginal photographs, paintings, assets and added works by a array of high-profile artists, including Jacob Lawrence, Miguel Covarrubias, Carrie Mae Weems, John Biggers and others. Through March 3. 600 Accompaniment Drive, Exposition Park, Los Angeles, caamuseum.org.
“One Day at a Time: Manny Farber and Termite Art” at the Architecture of Abreast Art. In 1962, artisan and analyzer Manny Farber wrote an article blue-blooded “White Elephant Art vs. Termite Art,” which picks afar the excesses of market-oriented “white elephant” art and celebrates “termite art,” fabricated on a smaller, added claimed calibration and absorption abysmal charge and attention. This exhibition will affection added than 100 works by 30 artists aggressive by Farber’s absorption of art as actuality about “observing and actuality in the world.” I accept this agency no sculptures by Jeff Koons. Through March 11. 250 S. Grand Ave., burghal Los Angeles, moca.org.
Rafael Cardenas, “Landscape and Land Dwellers: Photography of Place,” at La Capital de Cultura y Artes. Cardenas is broadly accepted for his artery photography. In this new exhibition he brings calm a alternation of portraits and mural images that acquisition the affiliation amidst bodies and abode in Los Angeles. Through March 25. 501 N. Main St., burghal Los Angeles, lapca.org.
“Laura Owens” and “Zoe Leonard: Survey,” and at the Architecture of Abreast Art Los Angeles. The museum’s Geffen annex is aperture a brace of exhibitions: the paintings attendant of Los Angeles painter Laura Owens, whose groundbreaking assignment reinvigorated painting with canvases that toy with abstraction, apologue and the account alike itself, as able-bodied as Leonard, the New York-born conceptual artisan whose assignment has included belly carve (fruit bald and sewn aback together), photography (both her own and vernacular) and balladry (her acclaimed poem, “I Want a President”). Through March 25. Geffen Contemporary, 152 N. Central Ave., burghal Los Angeles, moca.org.
Merce Cunningham, “Clouds and Screens” at the Los Angeles County Architecture of Art. This exhibition pairs able-bodied with LACMA’s appearance on Robert Rauschenberg aback Cunningham, the acclaimed choreographer, was a acceptable pal and collaborator. This appearance delves aloof into that: Cunningham’s countless collaborations with artists who helped him actualize costumes, film, music and sets. Through March 31. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org.
“West of Modernism: California Clear Design, 1975-1995,” at the Los Angeles County Architecture of Art. A appearance fatigued from LACMA’s growing accumulating of architecture chantry looks at a transformative moment in clear design, aback alone designers were acceptable added high-profile, the home computer was afraid up the agency in which architecture could be produced and images were acceptable added burst and layered. Through April 21. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org.
“Unsettled,” at the Palm Springs Art Museum. A accumulation appearance appearance assignment by added than 75 artists active or alive in the “Greater West,” encompassing a arena from Alaska to Central America, as able-bodied as a assorted ambit of media, including painting, sculpture, photography and performance. There will alike be Twitter poems. Through April 30. 101 Architecture Drive, Palm Springs, psmuseum.org.
Rauschenberg: The 1/4 Mile, at the Los Angeles County Architecture of Art. The affected book maker Robert Rauschenberg was accepted for authoritative affected works, including a awe-inspiring 190-panel accession that aback accumulated alcove about a quarter-mile in length. The appearance includes added elements that includes ambient sound. Through June 9. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org.
“Auto-Didact: The Juxtapoz School,” at the Petersen Automotive Museum. Custom car ability has had a extensive access on American ability in general, including art, area representation, architecture and finishes accept all had an influence. The appearance appearance works by Von Dutch, Sandow Birk, Gary Panter, Mister Cartoon, Robert Williams, Suzanne Williams and abounding others. Through June 2019. 6060 Wilshire Blvd., Mid-Wilshire, Los Angeles, petersen.org.
“L.A. Communities Through the Eyes of Artists,” in the Passageway Arcade at Abutment Station. For 15 years, L.A.’s arch alternation base has been showcasing assignment that reveals the burghal through the eyes of its artists. This year, it is assuming a alternation of anew commissioned pieces — including Shizu Saldamando’s delineation of Little Tokyo, Sam Pace on Leimert Park and Artemio Rodriguez on East L.A. On abiding view; no closing date set. Abutment Station, 800 N. Alameda St., burghal Los Angeles, metro.net.
Daniel Hawkins, “Desert Lighthouse.” The Los Angeles-based artisan is bedeviled with bearing works that toy with account of grandiosity, abortion and gestures that bound on the Sisyphean. (One of his goals as an artisan is to ultimately body a calibration replica of the Hoover Dam.) Now, Hawkins has installed a 50-foot tall, absolutely activity alarm in the Mojave Desert in the around of Barstow. The allotment alike appearance a ablaze to adviser travelers through this asperous landscape. Directions and coordinates can be begin on the website. On abiding view, Hinkley, Calif., desertlighthouse.org.
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