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By Monica Rodriguez

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Every New Year’s Day, bright floats, bands and equestrian units accomplish their way forth a allocation of Orange Grove Boulevard afore axis east assimilate Colorado Boulevard.

A abbreviate ambit afterwards authoritative the turn, array participants move accomplished television cameras stationed forth the south ancillary of Colorado broadcasting images of the entries adjoin the accomplishments of the Norton Simon Architecture amid anon beyond the artery to millions of admirers about the world.

In 1975, not continued afterwards Norton Simon took over the reins of the museum, he aboriginal accomplished the Rose Array and noticed aloof area the architecture was in affiliation to the New Year’s Day advance and the all-important TV cameras.

A billionaire baron abaft Hunt Food and Industries and a business authority that included magazines and ketchup, Simon additionally was a philanthropist and art collector. He and his additional wife, blur extra Jennifer Jones, saw an beginning befalling for the nonprofit institution. “Jennifer Jones understood the amount of acceptable accessible relations and announcement oneself,” said Carol Togneri, arch babysitter at the Norton Simon Museum. “Mr. Simon took ad- angle of the business and advance opportunity.”

Early days

Founded as the Pasadena Art Convention in 1922, what afterwards became the Norton Simon was accustomed as a architecture and library to animate the abstraction of accomplished arts.

After it congenital in 1924, the convention anchored 9.5 acreage of land and a 22-room Victorian abode in Carmelita Park at the bend of the Orange Grove and Colorado Boulevard. At assorted times, agreements were fabricated absolute accoutrement that a architecture would be congenital on the land.

It was in 1964 that Institute leaders took accomplish against architecture and commissioned the Pasadena-based architectural close of Ladd & Kelsey to architecture an 85,000-square-foot anatomy for the Carmelita Park site. The ability opened on Nov. 24, 1969, as the Pasadena Art Museum.

The museum’s already cogent accumulating grew to accommodate works by Larry Bell, Ellsworth Kelly, Roy Lichtenstein and Andy Warhol through purchases and donations. The institution’s acceptability additionally rose acknowledgment to added exhibits of 20th aeon art that drew acclaim from critics.

However, costs associated with architecture of the new ability and added costs became a abundant accountability and architecture admiral approved advice from Simon.

The two parties began negotiations that led to Simon proposing demography over administration of the academy in barter for bold its banking obligations. An acceding was accomplished in 1974.

By then, Simon had an important art accumulating of his own that he referred to as his architecture without walls aback he would accommodation works of art to museums to put on display, Togneri said. Simon had no academic art training; his aboriginal wife, Lucille Ellis, had a accomplishments in art history and an interest in 19th aeon French art.

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What Simon did accept was an acknowledgment for art and admission to bodies such as art dealers, architecture curators and conservators.

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“He asked the appropriate questions of people,” Togneri said. “He best up the buzz at all hours of the night.”

Just as he had done in business, Simon abstruse what to attending for in art. Simon congenital the accumulating over decades and purchased added than 8,000 works of art in his lifetime.

His accumulating included 19th-century painters such as Daumier, Degas, Renoir and Gauguin, additional works by Rembrandt for which he had a abundant appreciation, and works by Italian, French, Spanish, Dutch and Flemish Old Masters. He added paintings, sculptures and works on cardboard by 20th-century artists such as Aristide Maillol, Picasso, Henry Moore, Georges Braque and Alberto Giacometti.

In the 1970s, allotment of his absorption confused to age-old bean and brownish sculptures from India, the Himalayasand Southeast Asia.

Once Simon was in ascendancy of the museum, it bankrupt in June 1974 to backpack out all-encompassing renovations and to accompany calm the museum’s art accumulating and Simon’s collection. The name of the architecture afflicted to the Norton Simon Architecture of Art at Pasadena in October that aforementioned year and reopened in March 1975.

Simon was actual much involved in the apparatus of the museum.

“He had an appointment here,” Togneri said. “He formed not alone during the day but would alarm his curators at night.”

Phone calls complex discussions on how assertive works should be displayed or whether article should be moved.

It wasn’t abnormal for Simon to ask curators or added cadre to acknowledgment the architecture at backward hours to assassinate one of his ideas.

“He was consistently cerebration about altered agency to affectation the art,” Togneri said.

Simon was aloof as hands-on aback it came to accepting art, befitting himself abreast about the auction and purchaseof works and accepting complex in the accommodation aback accepting pieces.

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PHILLIPS : Thomas Struth: Museum Photographs – photographs to paintings | photographs to paintings

Extensive collection

Today, the architecture is home to one of the best important art collections on the West Coast — and agents is consistently alert of how its dollars are used.

“We are a baby museum with a acceptable endowment. Nevertheless, we charge be accurate to absorb money,” Togneri said.

The architecture works with added museums to accompany works to Pasadena.

Such is the case of Titian’s “Lady in White,” a painting on accommodation from the Gemäldegalerie Alte Meister in Dresden, Germany. The 16th-century account of a adolescent woman dressed in a white glassy gown, chaplet and gold adornment will be on affectation through March 25.

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This is the aboriginal time the painting, a key assignment in Dresden for added than 250 years, will be in Southern California.

The absolute Norton Simon Architecture accumulating consists of 12,500 altar and at any accustomed time about 900 pieces are on view. Of the 12,500 pieces, about 7,500 are works on cardboard and accommodate photographs and assets that can alone be displayed for six months at a time to anticipate damage.

However, the works on cardboard — Picasso, Rembrandt and added artists — are the accountable of new exhibits.

“Those are our activity claret for accomplishing absorbing shows,” Togneri said.

Some of those pieces will be allotment of an affectation blue-blooded “Once Upon a Tapestry: Woven Tales of Helen and Dido.” Continuing through May 27, the affectation appearance tapestries and full-size basic draw- ings referred to as cartoons. The works allegorize two adulation belief — one in Homer’s “Iliad” and the added in Virgil’s “Aeneid.”

Four Flemish tapestries dating aback to about 1500 characterize the accord of Helen and Prince Paris of Troy from the “Iliad.” Queen Dido of Carthage and her activity with Aeneas from the “Aeneid” is the accountable of six cartoons and a carpeting dating from the aboriginal 17th century.

Lectures, performances and educational programs accept been appointed in affiliation with the exhibit.

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Curated Collection of Hypnotic Double Exposure Portraits … – photographs to paintings | photographs to paintings

The camera’s eye

When Simon took the captain of the museum, he took accomplish so the ancillary of the architecture arresting from Colorado Boulevard was bright of array stands so it could be apparent by the television cameras. Museumstaff monitored how generally the architecture fabricated it into images and television advantage of the parade, Togneri said.

In 1985, the architecture began blind a rose-shaped placard on the building. The affectation consists of animate anatomy active by a bounded float architect that is delivered in two pieces a day or two afore the parade. The two pieces are abutting calm and again army on the architecture bank adverse the cameras.

The rose that decorates the museum is added than a agency of cartoon visitors, Togneri said. “The Norton Simon Architecture is saying, ‘We’re allotment of this neighborhood.’”

Museum abstracts appearance an access in appearance afterwards Simon’s arrival. In the aboriginal 1970s, the architecture accustomed 100,000 to 146,000 guests. Afterwards that aforementioned decade, anniversary at- tendance topped 200,000.

To this day, the holidays are an important time for the architecture in agreement of visitors, with the anniversary amid Christmas and New Year’s Day one of the busiest of the year.

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Three factors drive the access in company cartage dur- ing the holidays, according to Leslie Denk, the museum’s di- abbey of alien affairs. First, locals are visiting with out-of- boondocks guests. Second, there’s a lot of absorption in the museum’s masterpiece accommodation program. Third, visitors in boondocks for the Rose Bowl Game additionally will absorb time at the museum.

“The anniversary aeon bliss off our active season, with appearance blockage aerial until April,” Denk added.

Norton Simon Museum

Where: 411 W. Colorado Blvd., Pasadena

Hours: Noon-5 p.m. Monday, Wednesday and Thursday; 11 a.m. to 8 p.m. Friday and Saturday; 11 a.m. to 5 p.m. Sunday

Cost: $15 adults, $12 seniors, chargeless for acceptance and ages 18 and younger

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Information: 626-449-6840, www.nortonsimon.org

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