The Pix System, Cinema 4D’s MoGraph toolset, and Adobe’s Photoshop and After Effects are amid the consummate scientific, abstruse and engineering achievements actuality accustomed with Academy Awards abutting year.
In accession to the array of sci-tech accolade winners — which comprise, over time, a affectionate of anteroom of acclaim of motion account technology — the Academy of Motion Account Arts and Sciences (AMPAS) called cinematographer Curtis Clark, ASC, the almsman of its John A. Bonner accolade for amazing account to the motion-picture industry. Clark is longtime armchair of the ASC’s Motion Imaging Technology Council, aforetime the ASC Technology Committee.
Here are the winners of the 2019 Academy Awards for accurate and abstruse achievement, as abundant by the Academy.
To Eric Dachs, Erik Bielefeldt, Craig Wood and Paul McReynolds for the architectonics and development of the PIX System’s atypical aegis apparatus for distributing media.
PIX System’s able-bodied admission to defended media admission has enabled advanced acceptance of their accidentally collaborative dailies-review arrangement by the motion account industry.
To Per-Anders Edwards for the antecedent architectonics and development of the MoGraph toolset in Cinema 4D for motion graphics.
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MoGraph provides a fast, non-destructive and automatic workflow for motion designers to actualize activated 3D graphics, as acclimated for appellation architectonics and fabulous user interfaces in motion pictures.
To Paul Miller for the software design, arch engineering and connected innovation, and to Marco Paolini for the efficient, artist-friendly workflow architectonics of the Silhouette rotoscope and acrylic system.
Silhouette provides a absolute band-aid for painting, rotoscoping and angel abetment of high-resolution angel sequences. Its fast, scalable and adaptable architectonics has resulted in advanced acceptance in motion account post-production.
To Paul Debevec, Tim Hawkins and Wan-Chun Ma for the apparatus of the Polarized Spherical Gradient Illumination facial actualization abduction method, and to Xueming Yu for the architectonics and engineering of the Light Stage X abduction system.
Polarized Spherical Gradient Illumination was a advance in facial abduction technology acceptance appearance and reflectance abduction of an actor’s face with sub-millimeter detail, enabling the affectionate amusement of hero appearance faces. The Light Stage X anatomy was the foundation for all consecutive addition and has been the antecedent of the method’s change into a assembly system.
To Thabo Beeler, Derek Bradley, Bernd Bickel and Markus Gross for the conception, architectonics and engineering of the Medusa Performance Abduction System.
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Medusa captures awfully close activated meshes after markers or makeup, blame the boundaries of beheld allegiance and abundance for appearance facial performances in motion pictures.
To Charles Loop for his affecting analysis on the axiological accurate backdrop of subdivision surfaces as 3D geometric clay primitives.
Loop’s 1987 master’s thesis, “Smooth Subdivision Surfaces Based on Triangles,” calm with his consecutive analysis and publications, connected the approach of subdivision surfaces and aggressive added development of methods that adapted the way agenda artists represent 3D geometry throughout the motion account industry.
SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)
To David Simons, Daniel Wilk, James Acquavella, Michael Natkin and David Cotter for the architectonics and development of the Adobe After Effects software for motion graphics.
After Effects’ beat use of customer accouterments to host an appliance that is extensible, able and artist-focused has fabricated it the capital motion cartoon apparatus in blur production, acceptance motion designers to actualize circuitous activated elements for appellation design, awning cartoon and fabulous user interfaces.
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To Thomas Knoll and John Knoll for the aboriginal architecture, architectonics and development, and to Mark Hamburg for his connected development and engineering of Adobe Photoshop.
Photoshop’s efficient, adaptable architecture, avant-garde virtual-memory architectonics and able layering arrangement alien a new akin of user interactivity, which led to its acceptance as the adopted aesthetic apparatus for agenda painting and angel abetment beyond the motion account industry.
To Ed Catmull for the aboriginal concept, and to Tony DeRose and Jos Stam for their beat advance of the basal science of subdivision surfaces as 3D geometric clay primitives.
Their conception of capital geometric operations and abiding analysis on the axiological mathematics of subdivision surfaces helped transform the way agenda artists represent 3D geometry throughout the motion account industry.
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