Verdi’s “La Traviata,” one of opera’s best favorites, allotment to the Met this division in a adventurous new assembly by Tony-winning administrator Michael Mayer. The production, which opened Dec. 4, will be advertisement alive in HD on Sunday on the huge awning at Miller Symphony Hall in Allentown.
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Soprano Diana Damrau plays the adverse heroine, Violetta, and tenor Juan Diego Florez allotment to the Met for the aboriginal time in bristles seasons to sing the role of Alfredo, Violetta’s hapless lover.
Acute Diana Damrau as Violetta and Juan Diego Florez as Alfredo in ‘La Traviata.’
Soprano Diana Damrau as Violetta and Juan Diego Florez as Alfredo in ‘La Traviata.’ (CONTRIBUTED PHOTO)
Damrau and Florez, whose aboriginal careers included abounding of the vocally able operas of the bel canto period, accept co-starred in about 30 Met performances back 2006. This assembly marks the aboriginal time that New York audiences will apprehend them calm in a Verdi opera.
The assembly additionally marks addition first: “Traviata” is the aboriginal opera Yannick Nezet-Seguin has conducted as the Met’s new music director. Nezet-Seguin is additionally aqueduct of the Philadelphia Orchestra.
The Met, the better assuming arts alignment in the nation, has struggled with capricious agreeable administration for added than a decade. Years of bloom problems kept its above music director, James Levine, abroad for continued stretches, and ultimately affected him to footfall down. Then accusations of animal misconduct, which Levine has denied, led the Met to bisect all ties with him beforehand this year.
One of Verdi’s best affectionate creations, “La Traviata” (literally “the collapsed woman”) is a close calm ball based on the semi-autobiographical atypical and comedy “La Dame aux Camelias” by Alexander Dumas fils. The opera focuses on the final year in the activity of Violetta, a admirable adolescent courtesan, as she badly struggles to acquisition accurate beatitude in the face of an backbreaking association and a appalling illness.
Violetta’s disability to absolutely escape her less-than-reputable accomplished admiring Verdi to the story, whose axial battle captivated claimed acceptation for him. While alive on the opera, he was in the bosom of a atrocious accord with the acute Giuseppina Strepponi. The brace had afresh taken up abode in a alcazar alfresco Verdi’s hometown, and the composer’s accommodation to alive “in sin” with an bachelor mother of two adulterine accouchement abashed the locals.
Mayer explores the affair of affair throughout his new production, ambience the absolute opera in a single, adorned allowance advised by Christine Jones, the 2018 Tony-winner for Best Scenic Design for “Harry Potter and the Cursed Child.” Choosing to abode all the activity in a distinct allowance suggests that no amount what she does, Violetta charcoal tethered to her cachet as a kept woman.
The 18th-century ambience changes with the seasons, apery Violetta’s own blossom and bane in the advance of the drama. The set exudes the balance and corruption of Violetta’s abundant yet apparent lifestyle, an consequence that is amplified by the production’s busy aeon costumes, advised by Susan Hilferty, addition Tony winner.
Approximate run time is 3 1/2, with two intermissions.
“La Traviata” Alive in HD, 2 p.m. Sunday, Dec. 16, Miller Symphony Hall, 23 N. Sixth St., Allentown. Tickets: $22; $20, seniors. 610-432-6715, millersympnonyhall.org.
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Allan Birney directs the Camerata Singers and the Pennsylvania Sinfonia in Handel’s ‘Messiah’ Saturday at Aboriginal Presbyterian Abbey of Allentown.
Allan Birney directs the Camerata Singers and the Pennsylvania Sinfonia in Handel’s ‘Messiah’ Saturday at Aboriginal Presbyterian Abbey of Allentown. (CONTRIBUTED PHOTO)
Few choral works accept beat their age as able-bodied as Handel’s aria Messiah. Afterward its April 13, 1742, premiere in Dublin, one analyzer arresting the assignment “the finest Composition of Musick that anytime was heard.” Yet “Messiah” had a air-conditioned accession at its London premiere the afterward year, and it was not until the backward 18th century, able-bodied afterwards Handel’s afterlife in 1759, that it accomplished brilliant status.
Handel’s masterpiece eventually became one of the best-known and best frequently performed choral works in Western music. Messiah performances, or alike aloof the singing of one or two of its acclaimed choruses, accept become an inherent allotment of the Christmas holiday.
Complete Messiah performances acutely accept become scarcer anniversary year. Not so with the Camerata Singers, who will present the alone complete adaptation in the Lehigh Valley Dec. 15 at the Aboriginal Presbyterian Abbey of Allentown.
The production, conducted by Allan Birney, will be performed in three genitalia with one intermission. The Camerata Singers accept been presenting the Messiah every added year back the aboriginal 1980s, with added melancholia programs performed in alternating years.
As always, the 60-voice choir will be accompanied by associates of the Pennsylvania Sinfonia and soloists. Featured are acute Kathryn Aaron, countertenor Roger Isaacs, tenor David Vanderwall and bass Edward Bara.
Unlike abounding added Messiah productions, this one appearance the complete text, and will be performed with the aboriginal chart of strings, oboes, bassoon, organ, trumpet and timpani.
Camerata Singers “Messiah,” 7:30 p.m. Saturday, Dec. 15, Aboriginal Presbyterian Abbey of Allentown, 3231 W. Tilghman St. Tickets: $33, $22, adults; $28, $17, seniors; free, students. 610-434-7811, pacameratasingers.org.
Two bounded choral groups will present a assorted alternative of anniversary and classical music in anniversary concerts this weekend.
On Friday, Summer Harmony, somewhat betraying its name, will accomplish at 7:30 p.m. at Christ Lutheran Church, 13th and Hamilton streets, Allentown.
The men’s choir will present selections alignment from acceptable carols to several abreast works. Although best carols will be familiar, two on the affairs accept a abreast aberration — “God Rest Ye Merry, Gentlemen” and “I Saw Three Ships,’ both abiding by Mark Riese. Riese is able-bodied accepted in men’s choral literature, accepting been both a artisan and arranger as able-bodied as administering the Gay Men’s Choir in New York City for several years afore his afterlife in 1989.
Soloist will be average acute Lauren Curnow, a aide of Summer Harmony aqueduct Vincent Trovato at Muhlenberg College, area they both serve on the music faculty.
A highlight of the concert will be alms the conductor’s billy — figuratively, because abounding articulate conductors do not use the “stick” — to a Muhlenberg College chief Makaela Barczak. She will advance “White Christmas.”
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Concert tickets are $20.
Performing at 7 p.m. Saturday and 2 p.m. Sunday is the Lehigh Valley Chorale, a nonprofit, all-volunteer association of about 70 singers beneath the administration of Ed Milisits II. The “Harmony” concerts of anniversary favorites and around-the-clock masterpieces booty abode at Wesley United Methodist Church, 2540 Center St., Bethlehem.
The affairs opens with “Angels We Accept Heard on High” and closes with the Hallelujah Choir from “Handel’s Messiah: A Soulful Celebration” and “The Lord Bless Your and Keep You.”
Along the way, selections accommodate “There Shall A Star” by Mendelssohn, “Bogoroditse Devo” by Rachmaninoff, “Light One Candle” by Peter Yarrow, “Let it Go” from the Broadway agreeable “Frozen,” “The Christmas Song” by Mel Torme and Robert Wells and “Cold and Fugue Season” by Bach.
Featured soloists accommodate sopranos Sarah Panovec, Katie Turek and Kim Muschlitz; Jenni Levy; Christine Pacchioli; Ian Murphy; Jen Sheeto; Lisa Collins, and Dr. Bryan Holten on organ.
Tickets are not required; appropriate donation at the aperture is $10.
The accumulation is additionally attractive for singers. It rehearses Tuesdays at 7:30 p.m. at Congregation Brith Sholom in Bethlehem. For added advice email [email protected] or go to lvchorale.org.
Organ account at Jerusalem Church
Jerusalem Lutheran Abbey in Schuylkill Haven presents an agency account Sunday featuring music for the Advent and Christmas seasons. F. Allen Artz III will accomplish works by Scheidt, Bohm, Lau, Pachelbel, Buxtehude, Visser and Brahms on the church’s 32-rank Schantz aqueduct organ.
Artz, a built-in of Llewellyn, Schuylkill County, has captivated full-time positions in music apprenticeship and abbey music in several Lutheran, Catholic and Presbyterian churches in Pennsylvania and New Jersey.
An alive affiliate of the American Guild of Organists, he has served as administrator of the organization’s New Jersey affiliate 2002-04. As a recitalist, Artz has performed in several Midwestern and Northeastern states, as able-bodied as England, and has had the account of arena at Newark’s Cathedral-Basilica of the Sacred Heart in the attendance of Pope John Paul II and President Bill Clinton.
A accession follows the program.
Organ recital, 3 p.m. Sunday, Dec. 16, Jerusalem Lutheran Church, 252 Dock St., Schuylkill Haven. Free-will offering. 570-385-265, jerusalemlutheran.com.
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Larry Lipkis, Moravian College music assistant and administrator of the Moravian College Aboriginal Music Ensemble, had 12 acceptance in his krummhorn ensemble this year — three times added than anytime before, he says — and possibly the better krummhorn ensemble in the state.
Larry Lipkis, Moravian College music assistant and administrator of the Moravian College Aboriginal Music Ensemble, had 12 acceptance in his krummhorn ensemble this year — three times added than anytime before, he says — and possibly the better krummhorn ensemble in the state. (CONTRIBUTED PHOTO)
It’s not a behemothic bonbon cane, although it resembles one. Actually, it’s a krummhorn, a arbitrary 16th aeon wind apparatus with an amid bifold reed that sounds article like a kazoo.
Larry Lipkis, Moravian College music assistant and administrator of the Moravian College Aboriginal Music Ensemble, had 12 acceptance in his krummhorn ensemble this year — three times added than before, he says — and possibly the better krummhorn ensemble in the state.
Lipkis apparent that with a little bit of bathrobe up, the aberrant instruments attending aloof like behemothic versions of those candied Christmas treats. So back it’s the division to be jolly, Lipkis came up with abstraction to go out caroling (krummhorning?) with them, which is what he did with his ensemble Dec. 4 at the Moravian Bookshop in Bethlehem.
The “Christmas Caroling with the Bonbon Pikestaff Crumhorns” concert didn’t affection 16th aeon Christmas hits, but did accommodate “Good King Wenceslas” and “Jingle Bells.”
The ‘Christmas Caroling with the Bonbon Pikestaff Crumhorns’ concert didn’t affection any 16th aeon Christmas hits, but did accommodate ‘Good King Wenceslas’ and ‘Jingle Bells.’
The ‘Christmas Caroling with the Bonbon Pikestaff Crumhorns’ concert didn’t affection any 16th aeon Christmas hits, but did accommodate ‘Good King Wenceslas’ and ‘Jingle Bells.’ (CONTRIBUTED PHOTO)
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