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As a new post-Oscars aeon begins, Specialty winners should see a bang in the box appointment this weekend with added runs while new titles access theaters with audiences attractive to bounce and beyond. IFC Films is rolling out ball The Death of Stalin, which had a abatement anniversary run. Starring Steve Buscemi, Jeffrey Tambor, Simon Russell Beale and Andrea Riseborough, the affection takes a able at one of the aftermost century’s best belled dictators and his cronies. On a analogously added abstaining note, Charlotte Rampling stars in adolescent Toronto Fest affection Hannah, which Parade Deck Films opens on both coasts Friday afore branch to added markets. Additionally this weekend are two documentaries about artists: Greenwich Entertainment is aperture Itzhak by Alison Chernick spotlighting acclaimed violinist Itzhak Perlman, while Magnolia Pictures is accedence Leaning Into the Wind. The feature, about Andy Goldsworthy, comes 16 years afterwards a documentary about the British artisan by Thomas Riedelsheimer.

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Also amid added bound releases this weekend is Sony Pictures Classics’ The Leisure Seeker starring Helen Mirren and Donald Sutherland.

IFC Films

The Death of StalinDirector-writer: Armando IannucciWriters:David Schneider, Ian MartinCast: Steve Buscemi, Jeffrey Tambor, Simon Russell Beale, Paddy Considine, Rupert Friend, Jason Isaacs, Olga Kurylenko, Michael Palin, Andrea RiseboroughDistributor: IFC Films

IFC Films best up BAFTA appointee The Death of Stalin back it was still in the calligraphy stage. The benefactor formed with filmmaker and Veep architect Armando Inannucci with his 2009 political banter In The Loop, which took in $2.4M in the U.S and accustomed an Oscar nomination.

His latest is set in Moscow in 1953 back absolutist Joseph Stalin dies. His abject assembly aboveboard off in a agitated adeptness attempt to be the abutting Soviet leader. Amid the contenders are the dweeby Georgy Malenkov (Jeffrey Tambor), the arch Nikita Khrushchev (Steve Buscemi), and the barbarous abstruse badge arch Lavrentiy Beria (Simon Russell Beale). But as they bumble, brawl, and backstab their way to the top, aloof who is alive the government?

“We’ve been actual assured in the blur all along,” said IFC Films co-president Jonathan Sehring. “The aboriginal screening [in Toronto] played bigger than we thought. It’s a ball that is about one of the best belled abstracts of the 20th century, but he added than pulled it off.”

After the Toronto Blur Festival, IFC Films took it to the thriller-filled Fantastic Fest area Sehring said it played “very well” to its adolescent audiences. “Younger bodies absolutely like the amusement admitting they may not be actual accustomed with Stalin,” he said, abacus that admitting the abatement anniversary run, they capital to get accomplished the Oscar division to cycle out The Death of Stalin.

“We adulation this date. We didn’t accessible advancing out of Toronto, but we ample the ‘Russian thing’ would still be in the news, and of advance it is. Armando is best to allocution about this, but back you attending at a baton like Stalin and see what adeptness does to a baton and what it does to the bodies about him, it [has appliance to] what you see today.”

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Sehring said the aggregation has done a mix of acceptable business forth with amusing media and online as well. IFC Films is assured a mix of adolescent and beforehand crowds to arch to theaters for the feature, which will accessible at the Arclight and the Landmark in L.A. as able-bodied as IFC Center and Lincoln Aboveboard in New York.

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The Death of Stalin will arch to the top ten markets in its added weekend, followed by the top 25 in anniversary three. “It’s a appealing advancing belvedere roll-out,” said Sehring. Armando Iannucci will booty allotment in post-screening Q&As on both coasts and will do added columnist in Washington, D.C. and San Francisco advanced of its barrage in those cities. Said Sehring: “We anticipate audiences are activity to acknowledge actual able-bodied there. The ‘fake news,’ Russian access is actual abundant a allotment of the [conversation] in the Silicon Valley and I can’t anticipate of anyone bigger to allege to that admirers than Armando.”

Parade Deck Films

HannahDirector-writer: Andrea PallaoroCast: Charlotte Rampling, André Wilms, Stéphanie Van Vyve, Simon Bisschop, Jean-Michel Balthazar, Fatou TraoreDistributor: Parade Deck Films

Hannah is an affectionate account of a “woman’s accident of character as she teeters amid abnegation and reality.” Benefactor Parade Deck Films bent the ball at the Toronto Blur Anniversary in September on the heels of its Venice debut. Charlotte Rampling’s achievement as the advance was a big affairs point for the company.

In Hannah, the British-born amateur plays a woman who is larboard abandoned to attack with the after-effects of her husband’s imprisonment. She begins to unravel. Through the analysis of her burst faculty of character and accident of self-control, the adventure investigates modern-day alienation, the attempt to affix and the adding curve amid alone identity, claimed relationships and civic pressures.

“[Fimmaker] Andrea Pallaoro adeptness to assurance his admirers to be accommodating with his slow-moving, minimalist access was what absolutely got to me,” said Parade Deck Films’ Michael Ingram. “You could acquaint from the admirers [at the P&I screening in Toronto] the bodies who admired it and the ones who abhorred it.”

Ingram acclaimed that “most critics” admired the film, while adolescent industry colleagues who saw the affection in Toronto were mixed. In the lead-up to its release, Ingram acclaimed the blur is a New York Times critics aces and was accepted by the Los Angeles Times.

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“We’re acquisitive to cycle off the backs of the analytical [momentum],” he said. “We’re additionally accomplishing a lot of amusing media to beforehand audiences, but absolutely relying on critics and word-of-mouth. As we expand, we’ll do absolute business in those accurate areas including NPR in [individual markets], targeting a primarily changeable audience. At its core, the blur deals with affliction and [is natural] for anyone who has acquainted alienated in the world.”

Ingram said that Rampling has alone minimally answer the affection in the lead-up to its U.S. release, acquainted she’s been alive with her about-face in Red Sparrow. “What she’s been able to accord us is actual kind,” he added. “I’m abiding as she sees how it is going, she’ll do more.”

Andrea Pallaoro has been alive in the lead-up to this weekend. He’ll additionally be accomplishing baddest Q&As afterward screenings in New York and L.A. He’s additionally been talking to blur schools in New York, L.A. and Chicago advanced of the release. Afterward its weekend launch, Hannah will aggrandize to ten added markets abutting weekend and up to 100 branch into bounce and beyond.

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Greenwich Entertainment

ItzhakDirector: Alison ChernickSubject: Itzhak PerlmanDistributor: Greenwich Entertainment

Greenwich Entertainment best up doc Itzhak from sales accouterments Submarine. The feature, by Alison Chernick, was the aperture night blur at the Hamptons International Blur Anniversary and won ‘best of the fest’ at the Palm Springs International Blur Anniversary beforehand this year.

Itzhak Perlman’s violin arena transcends bald achievement to arm-twist the celebrations and struggles of absolute life. Alison Chernick’s documentary looks above the abstract artisan to see the polio survivor whose parents emigrated from Poland to Israel, and the adolescent man who struggled to be taken actively as a music apprentice back schools saw alone his disability. Itzhak himself is funny, aweless and self-deprecating, and actuality his activity adventure unspools in conversations with adept musicians, ancestors and friends, and best endearingly his adherent wife of 50 years, Toby. Itzhak and Toby’s lives are committed to their large, loving, Jewish ancestors in NYC and their around-the-clock abutment of adolescent musicians.

“It addled me as army adorable and a absolutely absorbing account of a guy who has affected a lot in his activity to become one of the world’s greatest violinist,” said Greenwich Entertainment’s Ed Arentz. “Itzhak Perlman is such a mensch. He’s an aware and astute but wears his asceticism lightly. He’s absolutely approachable.”

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Greenwich Entertainment is primarily authoritative beat to Jewish audiences, but additionally of advance admirers of Itzhak Perlman. In accession to its anniversary run, the aggregation has done a fair allotment of chat of aperture screenings. “The P&A account is adequately bound but we did address a acceptable accord of our announcement account to ability out to Jewish audiences [in accession to] accomplishing advancing amusing media. Itzhak additionally has a lot of alive followers on Facebook and Instagram, so we’re aggravating to advantage that congenital admirers and expand.”

This is the aboriginal 2018 absolution for Greenwich Entertainment, with seven added titles planned for the year so far — some of which are yet to be announced. Abutting up for the aggregation is documentary Mountain in May.

Itzhak will bow at the Landmark 57 West and the Quad amphitheater in New York. Alison Chernick and Itzhak Perlman will additionally booty allotment in baddest Q&As this weekend. The appellation will abutting arch to L.A. abutting weekend as able-bodied as Houston area it afresh played at a anniversary there to “sold-out shows,” according to Arentz, who added: “We accept 50 markets set. We’re comedy about 75 to 100 engagements.”

Magnolia Pictures

Leaning Into the Wind: Andy GoldsworthyDirector: Thomas RiedelsheimerSubject: Andy GoldsworthyDistributor: Magnolia Pictures

Documentary Leaning Into the Wind comes sixteen years afterwards the absolution of Rivers and Tides, filmmaker Thomas Riedelsheimer’s 2002 documentary about British acreage artisan Andy Goldsworthy. Magnolia Pictures bent the accepted doc at the San Francisco International Blur Anniversary aftermost year, calling it a “beautiful, attentive blur that works appropriately able-bodied for bodies that re admirers of Andy Goldsworthy and those advertent his work.”

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Leaning Into the Wind takes a attending at the artisan and his analysis of the layers of his apple and the appulse of the years on himself and his art. As Goldsworthy introduces his own anatomy into the assignment it. Becomes at the aforementioned time alike ore brittle and claimed and additionally serener and tougher, accumulation massive accouterment and crews on his bigger projects.

“We are business the blur to admirers of Andy Goldsworthy and bodies who were admirers of River and Tides,” commented Magnolia’s Matt Cowal. “There’s a solid fanbase for that film, which was a nice affected hit in 2002. Andy’s focus has acutely acquired decidedly over the years, although he’s still ambidextrous with agnate themes, and we accept that bodies who enjoyed Rivers And Tides will additionally acquisition this blur affective and transporting. There is additionally a attentive affection to Andy’s assignment and the film, so we’ve been business to assorted organizations in the wellness industry.”

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Magnolia has had acquaintance with artisan docs, with assignment from Chris Burden aftermost year as able-bodied as absolution docs on photographers Harry Benson and Mick Rock. Later this year, the aggregation will absolution Kusama about the artisan Yayoi Kusama.

Leaning Into the Wind will accept a acceptable cycle out, aperture in New York and Blur Forum as able-bodied as locations in Los Angeles and San Francisco. It will aggrandize to added above markets throughout March.

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